Of the main altar located at the centre of the presbytery, part of the load-bearing masonry core remains, which supported the covering consisting of polychrome marble panels of Neapolitan school, probably designed by Vaccaro himself. It had a large size, correlated with the church’s grandeur. Following the suppression of the Goleto monastic complex by Napoleonic edict in 1807, the altar was dismantled, transported to the cathedral of Sant’Angelo dei Lombardi, and reused as the main altar. After the destructive earthquake of 1980, it was reassembled on the right wall of the transept. Following the restorations of the cathedral after the destructive earthquake of 23 November 1980, when it was reopened for worship in 1999, the altar was reassembled where it still stands today: at the end of the right nave, near the entrance to the sacristy. In its present form, unfortunately, it lacks some elements that were stolen after the earthquake, in particular the original tabernacle and the two side marble volutes. A large canvas was also originally placed on the central axis of the church of Vaccaro with the figure of the Redeemer or Gesù Salvatore (Jesus the Savior), by Domenico Antonio Vaccaro. It is now preserved in the Cathedral of S. Angelo dei Lombardi, in the right transept above the sacristy door.